Technical planning for the whole pipeline. Decisions about cameras, codecs, color and delivery are made before the shoot, so the image reaches the final master intact.
Features, series, advertising and branded content.
Color by Chisco Arce, who has graded shorts, features, series and documentaries for more than fifteen years across Latin America, the United States and the Middle East.
Selected work
Compositing, cleanup and visual effects for narrative and commercial work. A VFX specialist who works with Greta Oto joins each project, so the shots stay inside the same pipeline as the rest of post.
Narrative and commercial work.
Masters and screening files for any venue, made to the technical spec the screening asks for. DCPs for cinema exhibition, files for festivals and broadcast, and packages for streaming.
Theatrical, festival, broadcast and online screenings.